Hello! I am an art historian of the visual and material cultures of the medieval Islamic world, with a special interest in Armenian, Byzantine, and Persian-Islamic artistic exchange and cultural encounters in medieval Anatolia, the South Caucasus, and the Eastern Mediterranean. I hold a Ph.D. in History of Art from Koç University, Istanbul. I am currently a College Fellow in the Department of Art History at Northwestern University, and will join the department as an Assistant Professor of medieval Mediterranean and Islamic art in the fall of 2025.
I am one of the founding members of Khamseen: Islamic Art History Online, for which I serve as the Director of Digital Technologies, and an assistant editor at the International Journal of Islamic Architecture (IJIA). Before joining Northwestern, I was a Lecturer of medieval Mediterranean and Islamic art in the Department of the History of Art at the University of Michigan where I also am an affiliated faculty at the Digital Studies Institute (DSI). I also was previously a Research Assistant in the Digital Islamic Studies Curriculum (DISC), and a Freer Visiting Graduate Student Fellow in the History of Art at the University of Michigan as well as a Visiting Doctoral Student in History of Art at Bryn Mawr College.
My research has been supported by various grants and institutions, including the American Research Institute in Turkey (ARIT)’s Hanfmann Fellowship, SOAS-Getty Connecting Art Histories Research Project, Koç University’s Stavros Niarchos Foundation Center for Late Antique and Byzantine Studies (GABAM), and The Digital Islamic Studies Curriculum (DISC) at the University of Michigan via a grant from the Andrew W. Mellon Foundation. My dissertation, which I am currently transforming into a book, contextualized bronze mirrors within the lives of the inhabitants of medieval Anatolia by considering their various functions in personal adornment and their use in devotional, divinatory, and talismanic practices during the Seljuk period, i.e., between the late eleventh and early fourteenth centuries. My research interests also include the collection and display of Islamic art in the nineteenth and twentieth centuries, the history of sports, environmental studies, digital art history, visualization, and game studies.
Ph.D. in History of Art, 2022
Koç University
Freer Visiting Graduate Student Fellow, 2019–2020
University of Michigan
Visiting Doctoral Student, 2017–2018
Bryn Mawr College
M.A. in History, 2012
Istanbul Bilgi University
B.A. in Archaeology and History of Art, 2008
Bilkent University
I teach transregional and transhistorical courses on Islamic art, architecture, and archaeology, as well as visual and material cultures of the wider Mediterranean world.
Courses Taught:
Winter 2024:
Fall 2023:
Winter 2023:
The International Journal of Islamic Architecture (IJIA) publishes peer-reviewed articles on the urban design, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the historical, theoretical, and practical aspects of architecture.
Responsibilities include:
Khamseen: Islamic Art History Online is a free and open-access online platform of digital resources to aid the teaching of the history of Islamic art, architecture, and visual culture. Khamseen currently offers a collection of short-form video presentations on a range of topics in the scholarly discipline of Islamic art history.
Responsibilities include:
Two bronze mirrors in the Islamic art collection of the Detroit Institute of Arts (DIA) raise questions about their meanings and uses among the Armenian, Byzantine, and Persian-Islamic communities in Anatolia between the late eleventh and early fourteenth centuries.
The earth, our home, is facing urgent environmental crises: calamitous climate change, deforestation, earthquakes, floods, pandemic outbreaks, animal and plant species extinction, water shortages, and wildfires. To tackle this pressing issue, the Ninth Biennial Hamad bin Khalifa Symposium on Islamic Art, organized at the Virginia Commonwealth University School of the Arts (VCUarts) in Qatar, brought together art historians, environmentalists, and historians.
This short essay aims to give graduate students some simple but effective strategies about the digital tools that I have found helpful to organize my work and time.
The Metropolitan Museum of Art’s ‘Armenia!’ exhibition is the first significant attempt in the United States to explore the legacy of Armenian artistic and cultural productions.